Neunaber Stereo Wet Reverb Pedal

The Neunaber Stereo Wet Reverb Pedal from Brian Neunaber, I didn't know them but I order them for one of my customer and decide to give it a try...

Simple yet surprisingly versatile, the Wet Reverb is really organic, really sit well with my playing, like no other reverb pedal I've tried. 

The Wet Stereo Reverb has the same great reverb sound as the mono Wet Reverb and adds a tone control, expression pedal inputs, and compatibility with Pedal Customizer software. The software allow you to switch the reverb patch for the Chroma Chorus or Echelon Delay.

It works great in mono: simply plug into the Input 1 and Output 1. Or, you can create a stereo output from a mono input—the Wet Stereo Reverb routes the dry signal to both outputs and adds stereo reverb. And, of course, the Wet Stereo Reverb will add stereo reverb to a stereo input from a stereo chorus or delay. The stereo input will be preserved when routed to the stereo outputs.

You really Have to give it a try!

Always in stock!!


Let's talk about the amazing SM Fuzz by Scott Mckeon

First, if you never heard Scott Mckeon play guitar, you are seriously missing something.

Now let's talk gear a bit.

So, I've been using the Analogman Sun Face NKT272 for 3 years now and I've always felt that it was almost perfect but still missing something. Then I decided to go for the SM Fuzz mostly because I've been digging the fuzz sounds on Scott Mckeon's records so much, then I heard that Doyle Bramhall II was really digging it.. I decide to contact Scott about becoming the Canadian Dealer for the SM Fuzz. I've receive this pedal about 3 weeks ago. Played my first show with it last friday and I just had to chime in about this pedal! 

And what a wonderfull pedal it is! It's so warm and "soulfull". There's so much character in the sound that this pedal provides. You can get a wide variety of sounds from clean to slight OD and from crunzy fuzz to total splattery fuzz sound just by playing with the guitars volume. It's amazing how it reacts to picking dynamics and the clarity of the sound is just wonderfull. It also cleans up to almost 100% clean. If I back down the guitars volume to around nine I get this great transparent OD sound. 

Compared to the Sun Face the SM Fuzz has a lot more bite and character to the sound and there's lot more clarity. It sounds a lot warmer in every setting and there's rich harmonic overtones in there that the Sun Face just doesn't have. It's really hard to put it in words how great this pedal is. 

But all I can say is that MY FUZZ QUEST IS OVER! I've found 'the sound'!

CLARITY:
The SM Fuzz has a better clarity overall. And the notes retain the clarity even with full fuzz where as the NKT got a bit mushly and compressed. This is even more noticeable when playing chords. Somehow with the SM Fuzz the "notes inside the chord" are more pronounced. Can't really put that in english 'cos it's not my grammar.  Overall the NKT seems more compressed than the SM Fuzz.

TONE:
The low end is tighter in the SM Fuzz. The midrange is also clearer and "chimes" better. There's rich harmonic overtones in the SM Fuzz that the NKT didn't really have them or they just weren't so noticeable. The high end on SM Fuzz is warmer and rounder. The tone of the SM Fuzz is deeper and has more body.


GENERAL:
Overall the SM Fuzz has got more punch (especially with cords) and the notes are more pronounced than with the NKT. It's got more bite, character and soul. The SM Fuzz also reacts to picking dynamics a lot better than the NKT and the Sunface is already good in that matter.
Somehow I feel "integrated" with the SM Fuzz when I play.

They are availabe now at Gearlovin SM Fuzz




Bearfoot Honey Bee Overdrive Pedal

I just got to take a quick spin with my Bearfoot Honey Bee pedal, but was too excited to wait to post about it. this pedal legitimately made me giddy when i plugged it in. I was in disbelief at how it's touch sensitive, literally eerie. It is 110% usable wherever you set the knobs, no matter what. my personal favorite is at noon give or take 1 notch. The gain is awesome anywhere, just depends on what you're really doing. The HBOD has a lot more headroom and low end response than the KOT, as well as more touch sensitivity.  This thing has blown my mind.

Yep, its one of those pedals that is just so good and does things you never even knew were possible that it's so hard to put into words how good it is and how much it makes you want to play. And you just want everyone to just try it for themselves so they can really understand and acheive tone/feel bliss too. The HBOD is the kind of pedal you just can't say enough about and had the sound and feel that make you just want to play for hours and actually gives you more room for expression in your playing. 








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Carl

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